NEW YORK JEWISH HERALD 2006:  JANUARY  I  FEBRUARY I MARCH I APRIL I  MAY I  JUNE I JULY I AUGUST I SEPTEMBER I OCTOBER I NOVEMBER I DECEMBER I

New York Jewish Herald.

Theater 2006 By Maximillien de Lafayette

Staff: COLUMNISTS, EDITORIAL STAFF AND STAFF WRITERS

 

NEW YORK. PEOPLE. SOCIETY. EVENTS. GOSSIPS

21-Miscellaneous

 

ENTERTAINMENT
26-Cinema and TV
27-Who's Who. The very best
29-Miscellaneous

 

ART
30-Events
33-Essays, articles
34-Miscellaneous

 

CULTURE. HERITAGE. BOOKS. CIVILIZATION.
36-Articles, essays
45-Miscellaneous

 

LIFESTYLE
50-Articles, essays
53-Jewish lifestyle
54-News, trends
55-Home
56-Relations, people, life
57-Miscellaneous

 

SCIENCE. TECHNOLOGY

 

BUSINESS. MONEY

 

BIZARRE. THEORIES
64-Scandals. Theories. Bizarre

 

COMMENTARIES. OPINIONS

 

INVESTIGATIVE REPORTING
71-Jihad and Islam
74-Holocaust

 

JEWISH WORLD

76-Heroes and legends
77-Jewish concerns

 

EVE WORLD

 

INTERVIEWS

 

CARTOONS. HUMOR
83-Check it out

 

COLUMNS

                                              

 THEATER AND STAGE CELEBRITIES

 

Judi Dench in GhostsJUDI DENCH:.A BONAFIDE GRANDE DAME

With nearly 50 years experience as an actress, Dame Judi Dench has given an astonishing range of performances. As well as her Oscars and knighthood, she was the first person to win two Olivier awards and her marriage to Michael Williams was one of the most successful in show business. Moreover she has brought grace, warmth and frequently a fascinating coldness to an extraordinary mixture of roles.

Class and finesse

Along with actors like Alison Steadman and John Thaw, Dench belongs to a small group of performers who have lent class and finesse to a dazzling range of material, from situation comedy to big screen blockbusters. The first hints of her talent came in the 1966 serial Talking to a Stranger. This suffocating psychodrama was a feast of brilliant acting, and a success Dench built on with a performance as a sexy Titania in Peter Hall's film of A Midsummer Night's Dream. Masterful Macbeth: But it was as Lady Macbeth that Dench created the most brilliant feat of her acting career. Dame Edith Evans famously refused to play the role owing to her belief that the part was incomplete, that the character's psychological collapse happened offstage and allowed the actor little opportunity to convey such a huge plot development. But in 1978 Dench pulled it off with one of the most hair-raising scenes in TV history, somehow encapsulating that vague theatrical concept of "going mad" with her now legendary satanic scream.

 

Comedy and drama: She switched to lighter fare with the delightfully assured sitcom A Fine Romance, which gave her the chance to showcase her warmth and impeccable comic timing. She managed to use her maternal qualities to even greater effect in the magnificent On Giant's Shoulders, an astounding BBC play which chronicled the story of a couple's attempts to adopt a Thalidomide child. If Dench's work has moved into more crowd-pleasing areas, from Bond movies to nostalgic period dramas, she still allows herself plenty of opportunity to give us those Lady Macbeth moments. She remains compelling in movies like Iris and stage roles like Sondheim's A Little Night Music, in which her intimate performance of Send in the Clowns was an expressive tour de force.-By Simon Farqharr

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