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Jewish People, Society

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 New York 2006: WHAT'S HOT. by maximillien de lafayette

THE JEWISH WORLD IN 2006

 

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45-NEW YORK: WHAT'S HOT

 

NEW YORK GOSSIPS:

TRUMP, MELANIA KNAUSS AND CHRISTIAN DIOR

When Melania Knauss walks down the aisle to marry real estate mogul Donald Trump, she'll be wearing a sumptuous gown by Christian Dior. Knauss chose the gown during the haute couture shows in Paris with help from Vogue editors Sally Singer and Andre Leon Talley. She models the voluminous strapless gown -- which took 550 hours of labour just to do the embroidery -- on the cover of Vogue's February issue and Singer chronicles the shopping trip over 14 pages inside. "Melania definitely got what she was looking for: a dress that would be absolutely special and a dress that could only be worn to one's wedding," Singer told The Associated Press on Monday. Knauss will marry Trump on Saturday in Palm Beach, Fla. It will be the third marriage for Trump, host of the NBC reality show The Apprentice. Knauss, like many brides-to-be, thought she wanted something a little more modern, but eventually realized she wanted a more theatrical dress, Singer said. "The dress also had to hold its own against the massive ballroom they've built at Mar-a-Lago (the Trump estate in Palm Beach)," Singer said. The room is in the ornate Louis XIV style and the visual theme of the wedding is white, gold and jewelry -- meaning diamonds. Singer, who will be a guest at the wedding, said she couldn't begin to estimate the gown's price tag. "Some of these couture gowns, they are showpieces. No one really expects someone to order them. ... I'm sure it cost a lot." The Vogue fashion and features director said she "believed" Trump had purchased the gown because she couldn't imagine Dior giving away something so expensive, but she didn't know the arrangements. Knauss, 34, wasn't intimidated by the hunt for her wedding dress or the ceremony of haute couture.

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Paris Latsis has only kind words for his ex-fiancée, Paris Hilton

The New York engagement has been called off, but Paris Latsis has only kind words for his ex-fiancée, Paris Hilton. The 22-year-old Greek shipping heir called Hilton "the most incredible woman I have ever met in my life," in a brief statement released Monday through Hilton publicist Elliott Mintz. "I respect her decision and appreciate the very kind and generous manner in which she is handling her very difficult decision," Latsis said. "This was the best experience of my life and I will always be grateful for it." Hilton, 24, announced over the weekend that she had ended their four-month engagement because she's "not ready for marriage" and didn't want it to end in divorce. There were earlier reports the two families had been concerned about Latsis's lack of a job and Hilton's busy social life. Latsis's father, Gregoris Kasidokostas, declined Saturday to say why the couple had broken up, but earlier had called a wedding postponement "common sense," according to People magazine's website. Latsis "is young and he should wait (for marriage)," Kasidokostas told People last week. The couple became engaged in late May. Latsis gave the hotel heiress/reality TV star a 24-carat, $5-million diamond engagement ring. A private sex tape of Hilton and an ex-boyfriend surfaced in 2003 just before the start of her Fox reality series, The Simple Life. She has said she was embarrassed and humiliated that the tape ever became public.

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New Yorker authors knew FBI agents, mobsters and real life adventures.

Among new thrillers are those that feature an assistant district attorney, a mobster and an undercover FBI agent, and the head of Britain's Security Service - not as characters, but as their authors. Linda Fairstein, Bill Bonanno and Joe Pistone, and Stella Rimington - all of whom have since left their respective professions -- have written books that are among the latest hardcover novels of mystery and suspense, which also include works by John Grisham, Lilian Jackson Braun, Ed McBain and W.E.B. Griffin. For 25 years, Fairstein was an assistant district attorney in Manhattan's sex-crimes unit, the same post held by the fictional Alexandra Cooper in Entombed (Scribner), seventh in Fairstein's series. Old crimes resurface when workers dismantling a 19th-century brownstone find the body of a young woman who was buried alive in a brick wall, and a long-inactive serial rapist resumes his crime spree. New York in the 1980s is the crime scene in The Good Guys (Warner Books). Bonanno, a one-time mob member, and Pistone, former FBI agent, have cooked up a story in which two FBI agents monitoring a wiretap at a mob hangout learn that a Columbia University professor has vanished. For some reason, the mob wants to find him -- and now, so do the FBI agents. The Broker (Doubleday) in Grisham's story is Joel Backman, former Washington, D.C., attorney serving a long sentence in federal prison for attempting to broker a deal to sell a top-secret satellite surveillance system on the international marketplace. Six years into his sentence, though, Backman is unexpectedly pardoned by the outgoing president and is whisked away to Italy. Once the CIA has set him up with a new identity, it leaks Backman's whereabouts to see if any of his potential "customers" make contact. Braun's 27th novel featuring newspaper columnist Jim Qwilleran and his curious Siamese cats, Yum Yum and Koko, is The Cat Who Went Bananas (Putnam). All seems well in small-town Pickax, as Qwilleran writes a book and the townspeople anticipate the opening of a new bookstore and the premiere of the theatre club's next play.

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New California law targets paparazzi. Official and public figures in New York are seeking similar laws. YA RIGHT!

New York Grapevine told the INA in New York that Paparazzi who commit assault in their pursuit of celebrity photographs could be hit with hefty civil penalties in California under a new law. The law would allow people who are victims of paparazzi assaults to file lawsuits seeking up to three times the damages they suffered. The plaintiffs could also ask for punitive damages and a court order requiring the photographer to give up any income earned from the pictures involved. Gov. Arnold Schwarzenegger signed the bill Friday. It goes into effect Jan. 1. Several celebrities have been involved in accidents while being pursued by photographers. In May, actress Lindsay Lohan received cuts and bruises after a photographer rammed his van into her car. The photographer faces charges of assault with a deadly weapon. "This bill hits the paparazzi where it hurts: the wallet," said assemblywoman Cindy Montanez who proposed the measure. "Money is their motivation, so taking away their money will be the solution." She said the bill would protect Hollywood stars as well as bystanders who might be injured in chases involving paparazzi. Actress Scarlett Johansson had a minor crash in August while being followed by paparazzi, and Reese Witherspoon said she was chased by photographers who she believed were trying to force her from the road in April. No charges or injuries resulted from either case. Schwarzenegger was involved in an incident in 1998 involving paparazzi who used their cars to surround the then-actor's vehicle as he and his wife picked up their child from school. Official and public figures in New York are seeking similar laws. YA RIGHT!

 

 

Neiman Marcus

NEW YORK 2006

ENTERTAINMENT

“THE ACCIDENTAL PERVERT” INFILTRATES MANHATTAN

A REVEALING COMEDIC SOLO SHOW About An EX-PORN ADDICT Who Poignantly  TRANSFORMS HIS LIFE Through Love


The Triad Theater is proud to present a limited engagement of  The Accidental Pervert, written and performed by Andrew Goffman, and directed by Charles Messina (Cirque Jacqueline, Mercury). Performances will run from February 2, 2006 to February 24, 2006 at The Triad Theater (158 West 72nd St.) in NYC. 10% of the proceeds from the show will go to Broadway Cares/Equity Fights Aids. The Accidental Pervert is an unexpectedly warmhearted one-man show about a boy’s coming of age via a childhood studded with perpetual pornography. When young Andrew happens upon his father’s collection of pornographic videotapes, it sparks an addiction to pornography that affects the way he sees women, sexuality and himself. Only when he later falls in love and has a daughter is he able to challenge his views. Playwright/Actor Andrew Goffman takes his audience on a hilarious and self-deprecating journey into his world of video vixens, shocking pictorials, and an array of X-Rated fantasies, illuminating his struggle to  define what it means to be a man, from puberty into adulthood. Andrew Goffman has been touring the comedy circuit since 1997, performing in over 150 comedy clubs including: Caroline’s, Catch A Rising Star, The Comic Strip, Rascals and across the border in Canada’s popular Yuk Yuks. As an actor, he has appeared in such films as The First Wives Club and the independent comedy, The Stand In. On stage, Andy performed at New York’s Soho Playhouse in the Off-Broadway hit Grandma Sylvia’s Funeral. Director Charles Messina is best known for his work on the Off-Broadway hit Cirque Jacqueline, the one-woman show about the life of Jacqueline Kennedy Onassis. Messina also directed and penned the Off-Broadway hit monodrama Mercury: The Afterlife and Times of a Rock God, about the life of rocker Freddie Mercury. Currently, Messina is directing the musical Be My Love, about the tragic life of legendary tenor Mario Lanza, which is being  produced by Sonny Grosso and Phil Ramone.

Sex Facts...

Consumers spent $12.6 billion on adult entertainment in 2005. 66% of men would rather admit to friends and family that they have a gambling problem than admit to being addicted to pornography. 77% of visitors to pornographic websites are men. 13% of men have paid for sex. 32% of men say the farther they are from home, the more likely they’d  entertain the possibility of infidelity.

 

NEW YORK SOCIALITES

Most talked about in New York Manhattan high society in pictures...

They are la crème de la crème of New York society. People love to be seen in their company, for they are famous, wealthy, sophisticated, chic, powerful, well-connected, fun...and mon cher ami, they throw the best parties in town. Sometimes, they are in print because of their contributions to charitable organizations, appearances they made at major social functions, controversy they steered up, in brief, they were written up in the paper for meaningful and justified reasons. But, sometime, silly stuff, gossips they create and vanity displays do the trick as well, for instance, "her husband bought her $4 million diamond ring", or "she is having an affair with monsieur x or monsieur z or all the alphabets", sometime, because he "continues to name everything after his name, hotels, casinos, TV shows and now a university..." or simply because he or she "insulted a rabbi" or created a Kaballah formula to grow hair where it is not needed. But generally, they steal the show and make people talk about them because they are good at what they do. Wealth has a lot to do with celebrity status in New York. You could tell me "Isn't the same thing everywhere?", you bet it is! In Washington, DC, socialites are fueled by and within embassies receptions and The White House affairs,  occasionally the Kennedy Center honor galas and almost 90% au tour fancy social gatherings in Georgetown for quite unnecessary reasons. In New York city, it is everything. Everything and anything that glitters, especially, money, real estate big time deals, financial scandals, trials, sophisticated vernissages, premieres, Broadway's grand entrance and grand finale, fall down and fallout of a tycoon or a powerful celebrity, ad infinitum...Grosso mode, what makes New York city a most unique social rosary is the  geographically rich faces, demeanors, spirit, sophisticated blend of an unheard of Martini cocktail, a $9,000 handbag  and refined intellectualism on the verge of absurd chic!

Photo from left to right: A lucky and most unique photo for famous social figures including Dame Elizabeth Esteve-Coll, Melanie Clore, Lady Sainsbury, Colleen and Javier Baz.

Photos from left to right: #1.Glenn Close. #2. Isabelle Huppert.

Photo from left to right: #1. Carroll Petrie, Marco Maccioni, and Jamee Gregory. #2. Bobby Liberman  and Barbara Liberman.

Photos from left to right. #1. Patrick McCarthy, Chairman and Editorial Director of Fairchild Publications. #2. Joanie Schnitzer Levy and Candy Hamm. #3. Aileen Mehle.

Photos from left to right: #1. Steven Rockefeller and Kimberly Rockefeller. #2. Olicia Chantecaille. #3. Patricia Duff.

Photos from left to right: #1. Evelyn Lauder. #2. Bob Kerry. #3. Kitty Hawks.

Photos from left to right: #1. Joanne de Cardiola. #2. Victoria Hagan. #3. Mary Snow.

Photos from left to right: #1. Jamee Gregory. #2. Michele Herbet.

Photos from left to right: #1. Monica Crowley. #2 Donald Trump.

Photos from left to right: Queen Noor of Jordan. #2. Mayor Bloomberg. #3. Laura Savini.

Photos from left to right: Janet Wallach. #2. Madonna. #3. Cornelia Guest.

Photos from left to right: #1. The late Nan Kempner. #2. Libby Pataki. #3. Bettina Zilka.

Photos from left to right: #1. Darren Walker. #2. Debbie Bancroft. #3 Leonard Lauder.

 

FASHION. DESIGN

King Karl takes Gotham

New York Chanel show captures Roaring Twenties

A model wears a grey and black flowered print ruffle blouse with matching scalloped skirt.

Karl Lagerfeld took his show on the road to New York recently in the latest chapter of a remarkable ride in the annals of current fashion. The Chanel designer seems to be nearing the iconic status of Coco herself, with his trademark immaculate white ponytail, shades and rock star attire. For the grand Gotham event, Lagerfeld attracted models, muses, Hollywood stars and well-heeled, well-pearled socialites to the 57th Street flagship store. Amazingly, the boutique remained closed for more than two days during the height of the Christmas shopping frenzy for the showing of an even more expensive than usual collection of bejewelled, embroidered and feathered confections. The evening show was small, and everybody was a front-rower. There was thin-as-a-reed Lindsay Lohan, loving Chanel in a vintage day dress strewn and trimmed with seed pearls. "I've been wearing Chanel all day," the actress said in her throaty voice. Diane Kruger made haute couture her own in a jazzy beaded dress worn with cut-off leggings, while Ashley Olsen carried a darling red quilted bag and supermodel Helena Christensen stood out in the sea of black by wearing head-to-toe crimson, including sparkly red strappy sandals. On the runway, models with crimson lips, smoky eyes and pinned-under wavy bobs looked like Roaring Twenties dolls as a folksy trio led by Devendra Banhart sat on the floor at the end of the runway and serenaded the crowd. Banhart, a young, bearded man, wore a cream Chanel skirt suit over pants.The clothes -- and steamer shiploads full of accessories -- called on all the Chanel signatures. A cream, quilted leather jacket with puff sleeves was decorated with coloured jewels for an Elizabethan look. Also regal were black velvet jackets with glittering crystal beading in the form of tiaras on the sleeves. Tweed skirt suits were worn over satin stovepipe pants, while a wool suit had soft camelia motifs and Pierrot-like flounces. Swirling crystal T-strap shoes and piles of costume jewelry completed the outfits, almost all of which were black and white. The collection, positioned between pret-a-porter and haute couture, draws on the work of five Parisian ateliers Chanel has bought over the past decade. They include the legendary Lesage house for embroidery, Massaro for shoes and Desrues for buttons and jewelry. You can credit Lagerfeld for recreating the Chanel mystique and every one of its signatures -- the camellia, tweed suit, quilting, and double-C logo. And he brought the Chanel sensibility to popular culture through H&M with a low-cost line, while establishing further recognition for himself. In fact, one of the collectibles from the H&M line is a T-shirt with a Warhol-esque image of Lagerfeld. Now, Stella McCartney has gone the H&M route, and there is talk of a Prada line, too. "It's a part of modern life," Lagerfeld said.  "Chanel and H&M can very well co-exist. I like the idea that people who have not a lot of money can buy what I do."-By Eva Fred.

New York's Cocktail dresses are the toast of the town this season

Photo: Lagerfeld Gallery's cocktail dresses take traditional details, such as a sheer overlay, and twist them to make them more modern.

They're the solution for any party and most can be adapted either for daytime or black-tie occasions." The return of the cocktail dress is really about fashion's love affair with all things feminine and retro-inspired," says Gregg Andrews, fashion director at Nordstrom. The 1940s and '50s seem to be particularly influential, he says. "We're seeing a fitted bodice, fuller skirt -- often knee-length to mid-calf -- with a raised or natural waist, a very defined waist." Other details are ruching, ruffles, beading and even attached brooches. Lace and chiffon are popular fabrics for dresses as are sheer or "illusion" fabrics that allow you to see the skin through "a veil of fabric," Andrews says. "It's not as overtly sexy while still being alluring." Hints of the 1920s can be seen in straighter-shaped dresses with dropped waist and asymmetrical or handkerchief hems and a little bit of beading. It can be magical when a woman wears a "real" cocktail dress, one that was designed to be both chic and easy for when a woman was indeed drinking, designer Karl Lagerfeld says. "It's an image very much from the '50s. Chanel, Jacques Fath and Balenciaga were famous for 'cocktail dresses.' Women always wore hats then," Lagerfeld says. His fall-holiday Lagerfeld Gallery collection features a dramatic one-shoulder sheer overlay with a high waist over a strapless beaded sheath, and a brown sleeveless dress with a pleated hemline, beaded waistband and white high-neck collar. "Women are becoming more and more comfortable with the idea of dresses because more dresses are available to them. They don't offer the flexibility in fit that separates do, but the variety of styles makes up for it," says Andrews. "Women are enjoying dressing in the more feminine way that is so fashionable now." Banana Republic executive vice president of design Deborah Lloyd is one of the converts. "I'm wearing dresses all the time now," she says. "I love the fact that you don't have to think so much. The top and bottom are already together. I find them easy." One of Banana Republic's cocktail looks is a pleated taffeta dress. "It's just one of those dresses that works," Lloyd says. "It's very easy to wear. Who would've thought that of a pleated cocktail dress?" Pleats can indeed be hard to wear, but, first off, these pleats are vertical, not horizontal. Lloyd explains that because the pleats are fine, they create a flattering feminine line "and they'll hide things underneath." There also is a sheen to the fabric and the taffeta isn't too heavy, so the dress has movement. "This dress is nice because if you wear with denim jacket and boots, you can wear it in the day as well," Lloyd adds.

Black is the predominant colour on retail racks. Jewel tones, especially ruby red and teal blue, are another option, as are metallics, including light gold and bronze. "I like dresses that aren't too colourful. I like colours that are non-colours. They allow you to wear the dress. You can be chic and beautiful, but people won't see the dress walk in," Lloyd says. But with all the choices available, Andrews suggests trying something other than the round-neck, sleeveless black sheath that's become the standard "little black dress." "There's nothing wrong with that dress -- it always looks good -- but it's not this season's black dress." Andrews predicts that dresses will be popular for the next few fashion cycles. "We're definitely seeing dresses coming into spring 2006," he says.-By S. Grichell.

 

 

Leaders gather in prayer for Sharon

 

JEWISH and political leaders will gather at the Consulate General of Israel in New York today at 4 pm, to pray for the speedy recovery of Israeli Prime Minister Ariel Sharon. Delegates from the Conference of Presidents, will join members of Congress and representatives of the City of New York, for a session of prayer. It will include the reading of Psalms and statements.  After suffering a stroke yesterday, the Prime Minister remains in a critical condition, following surgery at Hadassah Hospital in Jerusalem.

 

Donald Trump and Martha Stewart do promo campaign for both "Apprentice" shows.

Before her version of The Apprentice began, Martha Stewart thought she was saying "you're fired" to Donald Trump. While The Apprentice: Martha Stewart hasn't done well in the ratings, Stewart initially had much higher hopes -- even that her NBC reality show would eclipse Trump's original. "I thought I was replacing The Donald," Stewart says in the Nov. 14 issue of Fortune magazine, on U.S. newsstands Nov. 7. "It was even discussed that I would be firing The Donald on the first show." When did Trump learn that she intended to bump him off his own show? "I don't think he ever knew," Stewart tells the magazine. Instead, Trump remained for a fourth season, and he has recently suggested that his show has been diminished by Stewart's. Trump's Apprentice has been averaging around 10 million viewers a week, down four million from last season. Stewart's Apprentice is drawing closer to seven million viewers. "I think there was confusion between Martha's Apprentice and mine, and mine continues to do well and... the other has struggled very severely," Trump said recently on a radio program. "I think it probably hurt mine and I sort of predicted that it would." Stewart also reveals in Fortune another unrealized business plan: to buy Kmart. In 2002, while the retail giant was going bankrupt, Stewart floated the idea -- dubbed Kmartha -- of buying the company, which sells her Martha Stewart Everyday brand. Stewart, 64, also says she plans to sell Turkey Hill, her famous Westport, Connecticut, home. "I hardly ever go there anymore. I don't miss it." After serving five months in jail for lying about a 2001 stock sale, which was followed by nearly six months of house arrest, the lifestyle guru says she feels resilient.

 

TÊTE-À-TÊTE WITH DR. ILIL  ARBEL, Author of "THE LEMON TREE"

Dr. Ilil Arbel, a New York's treasure

Dr. Ilil Arbel is a national treasure. The New York Jewish Post wrote: "Arbel; one of the greatest writers of our generation." The International Herald Daily News listed her book "THE LEMON TREE"  on the list of the 10 best books of the year. Modern Woman Today added her name to the list of 100 Most Outstanding Women of the Year. The World Jewish News Agency selected her as one of America's 100 Greatest Jewish Women., etc., etc.,  Dr. Arbel is a writer who added an ultra dimension to contemporary literature. A sphere of intellectual warmth and lyrical beauty blended in simplistic literary wealth and majesty. Her masterpiece "THE LEMON TREE" recently published in the United states secured her status as one of the most formidable and captivating novel authors of our time. Ilil emigrated from Israel to the United States and saw the American world through the "ARBEL VISION", a vision of intoxicating intelligence, pragmatic reality and unusual truthfulness. We had to interview her, to find more about what makes Ilil Arbel, a very rare gem, a great writer and a romantic philosopher...Here is the interview.

"THE LEMON TREE" by Ilil Arbel; a a heart felt novel and a monumental literary accomplishment.

MDL: Why did you leave Israel and France to come to America?

ILIL: I came to both countries to study. After finishing my undergraduate studies in Paris, I decided to come to New York to continue my education.

 

MDL: When you came to America, did you find what you had expected to see?

ILIL: No. It was totally different from what the movies and the books told me, and even my relatives’ stories did not really convey the picture. The immense size, the lifestyle, everything was different. I adjusted very quickly, though, mainly because the people in New York are so friendly.

 

MDL: What is the first thing you did when you came to America?

ILIL: Well, you may not find it very exciting, but I am a true animal lover. My brother, who had been living in New York for a while, took me to his terrace and showed me the squirrels that lived on the large tree right above it. I can’t tell you how thrilled I was. I have never seen squirrels before, except in pictures, and to this day I can’t forget how enchanting the little fairy-like creatures looked, that first day in New York.

 

MDL: Is there anything that shocked you in America? In Society, people, etc.?

ILIL: I liked America very much, and still do, but there is one thing that continues to shock me. The entire culture is obsessed with the acquisition of money, to a point that some of the humanity and charity, traits that should be shared by everyone, are lost. Americans simply don’t see that it is unthinkable that some people will make millions of dollars, while allowing others to starve in the streets. It seems natural to them, within the order of things. It does not seem natural to me.

 

MDL: Have you ever thought to return to France or Israel?

ILIL: Not to France, since I only went there to study, though I would love to visit Paris again, particularly in the spring. Paris in the spring is one of the most beautiful places on earth. To Israel, though, yes, I often thought about returning. I still miss it very much, and I have very nice relatives and good friends in Israel. It’s always an option.

 

MDL: What strikes you as far as the difference between typical American women and Israeli women?

ILIL: I think they are very similar. Both are independent and strong women, and yet very concerned about their families and communities. Also, America and Israel are both young countries by comparison to Europe, but the people who came to both countries were steeped in their own history and traditions. Both societies had to merge many different nationalities and backgrounds. The women in both countries coped with the same mechanisms, I believe. I don’t see striking differences, really.

 

MDL: Do you believe that there is a typical American woman or Israeli woman, and if so, give some highlights.

ILIL: I think that trying to find a typical woman anywhere might create clichés. We are all individuals. In America, since it’s so large, there are differences in the character and lifestyles of different states. Women I met in the South seemed different from New York women. They spoke slower, were more polite, and did not have the staccato conversation we have in New York, where everyone always jumps in and interrupts each other rather cheerfully. Their style of dress and makeup was also different. Southern women are very beautiful, but New York women are more elegant. 

 

MDL: Why did you study mythology and folklore which you knew would not make you wealthy? Why not business or marketing?

ILIL: I could never study something like business of marketing. I don’t have the talent or the inclination. I had to study what interested me and gave me pleasure. I think this is what study is all about. To spend years on something that bored me, just to make money, is absurd.

 

MDL: What was the first job you got in America?

ILIL: I worked as a salesperson in an art gallery that sold the most atrocious art. A stable of artists produced numerous copies of each picture, and sold it cheaply to tourists. The gallery looked elegant enough, right on Fifth Avenue, so the poor tourists thought they were getting a deal. It was an amusing job. Would you believe, I actually helped people match the color of a painting to the color of their couch… Florals for dining rooms, landscapes for living rooms, nudes for bedrooms. I'll never forget the man who liked a picture but wanted it in a different color. I got it for him, from the basement. 

 

MDL: Do you believe in magic and witchcraft, since you wrote a book about the subject?

ILIL: The book was a history book, not a spell book. It dealt with the history of the Wicca, or the Old Religion. Do I believe in it? It’s hard to say. When you talk to these people, it’s obvious that witchcraft works for them on various levels. I try to keep an open mind about such matters, since after all, what do we really know about the universe? All religions try to give answers to out spiritual questions. Do they ever succeed? I can’t tell. No answer has ever satisfied me, yet.

 

MDL: Do you think that such a thing like Judaic mythology exists? Give examples.

ILIL: Emphatically yes. I have been writing articles about it for a few years now, in Encyclopedia Mythica, some of which appear on the Agency’s website. When you talk about people leaving one place and materializing almost instantly in another, when you read about a rabbi who creates a Golem, which is a human being made out of clay, things like that are not Judaism, they are Judaic myths. Angels appear in the Bible, where they are depicted as messengers. They would be a part of the religion. But when you describe a human being, Enoch, who is transported to the presence of God, and then turns into Metatron, a powerful, huge, burning angel, second in command to God, this is a beautiful myth.

 

MDL: About your book, The Lemon Tree. You write like Victor Hugo and Alphonse Daudet. There is such unusual warmth in your style, and your quality of writing we don’t see nowadays. How did you acquire this craft? It’s not American at all, yet it was published in America.

ILIL: Thank you for such kind comparisons! I am delighted that you liked it so much. How did I acquire the style? I am not sure. I did study writing, of course, but also I find that writing comes naturally to me. I enjoy it tremendously. You hear many writers groan that writing is such hard work, but I disagree. I enjoy even the tedious parts -- rewriting, editing, indexing, what have you. Anything that will produce a book or an article is fun. And as for being unlike American writing, that I can’t tell. I just write what I feel or think is right.

 

MDL: I know your schedule is very busy. You write biographies and personal histories, you are working on the translation and serialization of your grandfather’s books, you have a full plate. What is next?

ILIL: And don’t forget my work as a medico legal index editor… I truly am busy. But since that is what I like to do best, I enjoy the process. The next project is a biography of Hillel the Elder. It is a difficult and controversial project, since there are no dates in Hillel’s known history. But I am researching the option of combining the marvelous legends with the wild and violent history of the time. It was a very exciting time – Cleopatra, Julius Caesar, Herod the Great. Even Jesus is part of it. The real trick will be to find a publisher that will agree that such a controversial book is worthwhile. I think many publisher will shy away.

 

MDL: Do you have any Arab friends?

ILIL: I am afraid I don’t have any Arab friends. I did when I lived in France, but I don’t know any in New York.

 

MDL: In your opinion, as an educated woman and a woman of the world, how are we going to solve the Israeli-Palestinian conflict?

ILIL: We are not going to solve it, exactly. The historian Barbara Tuchman once said that there are certain world problems that we cannot resolve ourselves. Instead, something in history shifts, and the problem resolves itself. I think the Israeli-Palestinian conflict is one of these. Something is going to happen that will change the course of events to such an extent that the issues will somehow disappear. We cannot tell what or when.

 

 

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Every week, Google.com publishes the Zeitgeist, an index that tracks the popularity of search requests fielded by Google's industry-leading Internet search engine. As Google's label suggests, the lists capture "the spirit of the times." Here are the most  intriguing entries in the current installment. HURRICANE WILMA You would think Internet surfers would be weary of tales of devastating hurricanes by now. But there were enough people curious about how Florida, Haiti, Mexico and Jamaica had fared after being visited by Hurricane Wilma that the storm became the week's top search term. The answer to Googlers' question is mixed. According to the Guardian, only about 31 people are believed to have been killed by whirlwind Wilma (14 in Florida, 12 in Haiti, four in Mexico and one in Jamaica). That makes Wilma far less deadly than her predecessor Katrina, which took more than 1,300 lives (with the help of extensive flooding in New Orleans). But Wilma has nonetheless caused her fair share of damage, including projected insured losses in the range of US$6-billion to US$10-billion and a host of Floridians now struggling without access to power, food, fuel or potable water. And not to boast, but Hurricane Wilma was actually a more powerful storm than Katrina, breaking records with her intensity and low atmospheric pressure. Still, it is likely to be Katrina, not Wilma, that goes down in the history books simply because she caused more harm. Same old story: the destructive ones get all the glory.MADONNA Is the Kabbalah-loving pop star raising her kids right? Fellow musician Jon Bon Jovi doesn't think so. He recently criticized Madonna for dragging her kids into the media spotlight and parading them around at film premieres. Madonna's publicist Liz Rosenberg quickly snapped back that the Madonna brood has never attended a single premiere (which is lucky for them, given the quality of father/stepfather Guy Ritchie's last movie, Revolver). Rosenberg then professed sarcastic delight "to hear what an authority Mr. Bon Jovi is on Madonna's talents as a mother."But there is no denying that Bon Jovi has a point when he observes, "I've been in this industry for 22 years and no one has any idea what my four kids look like." The same cannot be said for Madonna's unfortunately named offspring, Lourdes and Rocco. And while I can't prove it, I have a strong suspicion that buying one's child a pricey Posh Tot mini-mansion (US$6,500-US$125,000), as Madonna did for Lourdes a couple of years ago, is not the best way to bring up a grounded kid. Although maybe Madonna was sensible enough to refrain from outfitting the mini-mansion with running water and cable (options Posh Tot offers), allowing Lourdes to learn to rough it a little bit when playing house. Still, you have to wonder if Madonna's youngsters would not be better off running around a makeshift plywood tree house like a bunch of anonymous Bon Jovis. Or at least be having more fun.

QUAKE 4 Did you think this entry was going to be about hurricanes again? Fear not. Quake 4 has nothing to do with Wilma or Katrina. It's a computer game. But that doesn't mean you shouldn't take it seriously. There is money to be had for those who master this fourth instalment of one of the most popular first-person shooter games around. Later this month, the Dreamhack computer festival in Sweden will host the first ever Quake 4 professional tournament, with up to US$6,000 to be won by the most skillful players. You can try to get yourself qualified as a standby entrant for the Quake 4 contest by registering online at www.viacga.com (the first-stringers have already been selected by invitation). But do train hard before you book your ticket. The highly acclaimed all-female online gaming team "girlz Of destruction" will be on-hand at the Swedish event, and they are never easy to beat.

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