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2006 JEWISH ENTERTAINMENT, EVENTS AND SHOWS. MAIN PAGE. BY MAXIMILLIEN de LAFAYETTE                                                   
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JEWISH ENTERTAINMENT, EVENTS & SHOWS

 

 

Miller to star in van Gogh film

 

Photo: Sienna Miller can soon by seen in the film Casanova.

Actors Sienna Miller and Steve Buscemi are set to star in a US remake of a movie by the murdered Dutch film-maker Theo van Gogh.  Alfie star Miller, 23, will star alongside the Fargo actor in a remake of Interview, the website of Van Gogh's Dutch production firm said. Buscemi, 48, is directing the film about a psychological tussle between a journalist and a soap-opera actress. In July Mohammed Bouyeri was convicted of shooting and stabbing van Gogh. Film-maker Van Gogh, a strong critic of radical Islam and a distant relative of the 19th-Century painter Vincent van Gogh, was killed as he cycled through Amsterdam. His murder in November 2004 stunned the Netherlands. His production company said filming of the Interview remake was scheduled to start next month. Two other remakes of Van Gogh films are also being planned for, it added. The Dutch and US producers said part of the profits would be put into a fund in his memory which supports freedom of speech in film-making.

THE STUNNING AND AMAZING PAULETTE ATTIE

PAULETTE ATTIE, (Left), the multi faceted performer and Award winning actress, singer, and songwriter, continues to surprise us with her new areas of endeavor. In the works is a review she wrote called "Collaborators." It’s about composer Harold Arlen, and 4 of his brilliant lyricists: Ira Gershwin, “Yip” Harburg, Ted Koehler and Johnny Mercer. "Collaborators" will be directed by five time Emmy Award winner Francesca James. A star studded cast will join Paulette in singing the praises of these great songwriters. Paulette personally interviewed Arlen, Harburg and Mercer on her radio show, Paulette Attie’s Musical Playbill.   She’ll be singing at the Friars Club for a Frank Sinatra birthday tribute, produced by TV talk show host, Bill Boggs, who did some seminal interviews of Sinatra on TV. Paulette won the ASCAP Plus Songwriter Award, for the 6th year in a row. She is set to record her new song, “Star Quest,” for which she shares lyric credits with Bernard Lee. Then there are Paulette’s numerous concert appearances and playing the “better” half  to Chris Gampell’s “worst” half  in “Itch,” two person comedy by Elyse NassPAULETTE ATTIE your fearless writer, has sung for members of the military at army and air force bases in the U.S., and a navy base in Japan.

Paulette Attie's New Song

Stunning Diva, award-winning author, columnist, singer-songwriter, actress,  Paulette Attie recorded her song “Give It the Best Ya Got” for the upcoming indie film, The Drum Beats Twice. Here’s what she had to say about the experience. “I like the theme of the movie. It’s a crime thriller that exposes the world of good and evil, retaliation and forgiveness. Redemption wins out at the end of the day which, of course, appeals to me. It was a joy to work with Paul Bailey, the film’s Music Director. He pays attention to every aspect of what makes for good sound in a movie. That in itself is a pleasure. I got to see why he’s tops in his field when we recorded the tracks at his studio. He’s fast, efficient, positive in dealing with talent, and gets the work done. Bailey has strong feelings about what’s available today for the buyers. Almost as if giving a prepared statement, he said, "The music business has met its lowest common denominator and has been that way for about a decade or more. Meanwhile, the pent up demand by the most musically centered generation ever to hit the planet, the Baby Boomer kids of the 60's and 70's, is at its peak. That demand has been here all along, ignored by an industry, too blinded by short sightedness, old paradigms, and instant gratification. It’s time for 'New music, just like you remember it'!" Bailey provides some of that “New music,” having contributed the entire score for The Drum Beats Twice, other than my song. He has his own original take on early 70’s rock music, the period in which the film takes place. My song is for the flashback scene, where the leading man, a badly maimed police officer, recalls how encouraging his father was to him when he was a teenager. For that, I created a 40’s type song with a swinging beat, a bit like the Andrew Sister’s “The Bugle Boy of Company B.” To back up the strong bond between father and son, “Give It the Best Ya Got,” includes lyrics like: “I’ll stand behind you, even remind you, “Give It the Best Ya Got.” The Drum Beats Twice is Producer Kenneth Del Vecchio's fourth film. For each of his films, he has gathered an outstanding cast, and for this one, there are several award winning players: Eileen Fulton (2004 Emmy Lifetime Achievement Award), Justin Deas (Winner of 6 Emmys) and Richard Barclay (Academy Award winner). Other stand outs in the cast include Robert Clohessy (popular actor in Oz), Lisa Peluso (of Another World and Loving) and Willie DeMeo (Analyze That and Searching for Bobby D). The DVD will be out soon, and hopefully the soundtrack, available on CD, will soon follow.   

Sharon aide promotes Munich film

 

Photo: Steven Spielberg's film has stirred fierce debate in Israel.

Director Steven Spielberg has hired one of Israeli Prime Minister Ariel Sharon's key aides to market his film Munich in the country. The film, about the killing of 11 Israeli athletes at the 1972 Olympic Games, opens in Israel next month. Eyal Arad, who helped plan the recent Israeli withdrawal from Gaza, has arranged a Tel Aviv screening for the widows of the murdered sportsmen. "We are talking about a film that has generated a lot of interest," he said. "Naturally that sort of interest can entail some negative reactions as well as positive reactions," he added, calling Israel an "important market" for the film. The film has caused controversy among former members of Israel's intelligence community, with Avi Dichter, a retired head of the Shin Bet intelligence service, likening the film to a children's adventure story. "There is no comparison between what you see in the movie and how it works in reality," he said.

Historical accuracy: The film is based on the 1984 book Vengeance, which is said to be based on the confessions of an officer from the Israeli intelligence agency Mossad who broke ranks in protest at its "aggressive tactics". It portrays a team of hitmen torn by questions of conscience and on the run from Palestinian gunmen. That version of events has been rejected by historians in Israel and elsewhere. But one of the widows who saw Spielberg's film said a lack of historical accuracy may have worked in Spielberg's favour. Ilana Romano - whose weightlifter husband was among those killed - said it overlooked the 1973 incident when Mossad agents targeting a Palestinian fugitive mistakenly killed a Moroccan waiter in Lillehammer, Norway. "Had Spielberg wanted to harm Israel's image, he would have included the Lillehammer affair," she said. "Don't let's over-analyse Spielberg's film."

 

'Looking for Comedy in the Muslim World' well received in Dubai, says actor

Photo: Albert Brooks, May 19, 2003, in Los Angeles.

Albert Brooks says he wasn't looking to bring world peace, he was doing just what his new film's title said: Looking for Comedy in the Muslim World. At its world premiere at the Dubai International Film Festival, Brooks said he was concerned Abdullah bin Zaid al-Nahayan, the minister of information of the United Arab Emirates, would lead the audience out of the theatre. Instead, "they went crazy. I thought, I passed the test, it's OK. The sheik is laughing; he's talking to the guy next to him in Arabic and pointing at the screen. And no one walked out," Brooks told The New York Times for Sunday editions. In the film, Brooks is assigned a high-level government mission: travel to India and Pakistan, where he's to write a report on what makes Muslims laugh. Brooks said he chose India and Pakistan because of the intense conflict between the countries. "What's more important is that you're elevating this into the green zone, where you can make fun," he said. "And now it takes its place alongside everything else you can make fun of - politics or Jews or bad food or anything. If that happens, then that's really a healthy sign. That actually is something."

 

A few points on Woody Allen “Match Point”

By Marion D S Dreyfus, Syndicated Journalist

 

The theme of this film, as with "Crimes and Misdemeanors," Woody Allen’s sumum bonum to date, is the expiation of guilt in a forgiving, feckless or oblivious society. The protagonist Chris’ societal wife, Chloe, from a privileged class and moneyed home, does not notice much of her lower-class-but-striving beyond her perfunctorily satisfied needs. Chris evokes Jude Law in his icy tracking toward the comforts of Mammon. Chloe’s brother dutifully marries a woman he tolerates for appearances and his mother's regard, dumping the sloe-eyed temptress-loser, Nola (French for “not there”?—and she assuredly is not anywhere, insofar as her modest acting talent and achievements in lasting love are concerned). Social-climber Chris himself affectlessly abandons his supposed sport, tennis, for the more refined sport of leveraging his assets in other directions.

One suspects, as some indicate, that Woody is expiating his non-U desires for these alluring younger females over the comfortable and sanctioned matches put upon him, a way to slay the beast of illicit connubia with those clearly wrong for many reasons. Soon Yi seems to be a not-very-prepossessing manifestation of this syndrome, as she seems to manifest none of the femme fatale analogues of Scarlet or the dewy Mariel Hemingway ("Manhattan"), but she does keep him in line.

In "Crimes and Misdemeanors," Angelica Huston starts out self-possessed and diverting, but quickly descends into a madness of whining and demands that Scarlet exactly parallels, though she starts out much more erotically promising than Martin Landau's inamorata. Johansson's talent seems to be minimal beyond a perverse ability to daze any male nearby with her suggestive erogenousness. The "luck" that forms so strong a role in "Match Point," however, is that of Woody Allen, who has gotten away time and again with glancing scripts that are as much about mockery as they are about cynicism.  In the end, invariably, the body-comfort and money-homing device works flawlessly, and he has managed, yet again, to abscond with the ethical right, overturning the old film code that determined that evil not triumph in the end. He has no trouble living an empty shell of intimacy with his unsuspecting spouse. Even the constabulary and MI5 (substitutes for the hounding media) seem unable to pin the dastardly tale on him.

In the event, it seems--by its mythic forgiveness and sumptuous privilege--to be as much myth-creating as is the more honest "Narnia" for tots and would-be children. A second moral, if you will: Man cannot comfortably serve two mistresses without (personality) disintegration of the male and ultimate tolerability in the subsumed female. Interestingly, the desired illicit object, in Woody’s cosmogeny, outwears her welcome if it is not clothed in gold and societal privilege. Consequently, she has been killed off physically, or virtually, in Woody's filmographic canon.

 

Refreshingly, this film, alone among many, does not slice off tranches of hatred directed at his own people. So as nasty and schadenfreude-cynical as this film appears, it does not gratuitously stray into the usual Allenesque exurbia of casual anti-Semitic thrusts.

 

That’s at least one point in his favor.              

 

EHUD BANAI IN NEW YORK

By David Prince

Photo: Ehud Banai in concert.

Ehud Banai, singer, song-writer and story-teller extraordinaire . APTLY described as the Israeli answer to BOB DYLAN, EHUD BANAI is one of Israel's most popular singer/songwriters. Full of energy and passion, his powerful music and original lyrics have made an undeniable mark on the Israeli music scene. Now New Yorkers have a rare chance to see EHUD BANAI live in concert. Hailing from an Israeli showbiz family EHUD BANAI made a clean sweep at the 2004 Israeli music awards, winning awards for best singer, best lyricist and best album for Aneh Li (Answer Me), his latest release. He also received accolades from the Israeli musicians' union and the Israel Music Channel, who named him the top overall musician for 2004.  EHUD BANAI will perform at the Peter Norton Symphony Space at 8pm on Saturday February 11, as part of Israel Non-Stop, a six-day arts festival, bringing the best of Israeli talent to New York. Presented by the Jewish Community Centre in Manhattan, this fiesta of Israeli culture includes an Israel cheese & wine tasting expo, a performance by Israel's esteemed Cameri Theater, the creative and interactive children's modern dance show Tippa - Poppa, plus Israeli fashion, photography, short-films and much more. EHUD BANAI is available for interviews. For media enquiries contact David Prince at the Consulate General of Israel in New York on 212-499-5429 or davidp@newyork.mfa.gov.il. For tickets and general information on Israel Non-Stop, call: 646.505.5708 or click on www.jccmanhattan.org

 

“THE ACCIDENTAL PERVERT” INFILTRATES MANHATTAN

A REVEALING COMEDIC SOLO SHOW About An EX-PORN ADDICT Who Poignantly  TRANSFORMS HIS LIFE Through Love


The Triad Theater is proud to present a limited engagement of  The Accidental Pervert, written and performed by Andrew Goffman, and directed by Charles Messina (Cirque Jacqueline, Mercury). Performances will run from February 2, 2006 to February 24, 2006 at The Triad Theater (158 West 72nd St.) in NYC. 10% of the proceeds from the show will go to Broadway Cares/Equity Fights Aids. The Accidental Pervert is an unexpectedly warmhearted one-man show about a boy’s coming of age via a childhood studded with perpetual pornography. When young Andrew happens upon his father’s collection of pornographic videotapes, it sparks an addiction to pornography that affects the way he sees women, sexuality and himself. Only when he later falls in love and has a daughter is he able to challenge his views. Playwright/Actor Andrew Goffman takes his audience on a hilarious and self-deprecating journey into his world of video vixens, shocking pictorials, and an array of X-Rated fantasies, illuminating his struggle to  define what it means to be a man, from puberty into adulthood. Andrew Goffman has been touring the comedy circuit since 1997, performing in over 150 comedy clubs including: Caroline’s, Catch A Rising Star, The Comic Strip, Rascals and across the border in Canada’s popular Yuk Yuks. As an actor, he has appeared in such films as The First Wives Club and the independent comedy, The Stand In. On stage, Andy performed at New York’s Soho Playhouse in the Off-Broadway hit Grandma Sylvia’s Funeral. Director Charles Messina is best known for his work on the Off-Broadway hit Cirque Jacqueline, the one-woman show about the life of Jacqueline Kennedy Onassis. Messina also directed and penned the Off-Broadway hit monodrama Mercury: The Afterlife and Times of a Rock God, about the life of rocker Freddie Mercury. Currently, Messina is directing the musical Be My Love, about the tragic life of legendary tenor Mario Lanza, which is being  produced by Sonny Grosso and Phil Ramone.

Sex Facts...

Consumers spent $12.6 billion on adult entertainment in 2005. 66% of men would rather admit to friends and family that they have a gambling problem than admit to being addicted to pornography. 77% of visitors to pornographic websites are men. 13% of men have paid for sex. 32% of men say the farther they are from home, the more likely they’d  entertain the possibility of infidelity.

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THE YEAR CLAIMS ITS  FIRST ENTERTAINMENT VICTIM:

Howard Stern's Fans Force Postponement/Cancellation of KABBALAH play in New York.

Photo: Poster of the the play "KABALLAH" by Tuvia Tenenbom of New York.

Following the Jewish Theater of New York's (JTNY) announcement about the extension of their play, KABBALAH, web-based fan clubs of Howard Stern speculated that his daughter was playing in this show--a fact that the JTNY successfully held in complete secrecy for over two months. The fans proceeded to make many vulgar comments, thus creating the possibility that throngs of them would come to take her pics in compromising poses--especially given that this show contains nudity.  At this stage the JTNY is  looking into the possibility of replacing her with another actress, but they do not know if such will be found in due time. "For the moment, though, we announce that performances scheduled for this week are canceled and that no tickets will be available for sale.

As for future performances, we'll notify the public in the event that we are successful in finding replacement." told us, Isi Tenenbom, an official spokeswoman of JTNY. KABBALAH garnered some of the most intriguing reviews so far from local and international critics, and  many New Yorkers have been trying to get tickets, for this sold out play. "We have done our best to comply with theatergoers' wishes and have extended the show till the end of January. But, regretfully, at this moment we simply cannot have the show on the stage; we do hope that theatergoers will understand and appreciate.", added Tenenbom. The JTNY is one of the most exciting and unusual theater companies and venues in New York City, created and managed by Tuvia Tenenbom, a remarkable theater visionary,  who has been called "genius" by the World Jewish News Agency.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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